The opening exposition of Andrei Tarkovsky's "Mirror" is an incredibly euphoric scene, and I'm about to prove it to you.
But first, the text. In 1889, Anton Pavlovich Chekhov wrote to his friend Suvorin, describing the long, painful process of casting off internal chains. Here is that letter in its entirety (he is speaking of the young generation and of himself):
"What writers belonging to the upper class have received from nature for nothing, plebeians purchase at the cost of their youth. Write a story, if you will, about a young man, the son of a serf, a former grocery boy, choirboy, high-school student, and university student, brought up to respect rank, to kiss the hands of priests, to truckle to the ideas of others- a young man who expressed gratitude for every piece of bread, who was frequently whipped, who trudged to his lessons without galoshes, who brawled, tortured animals, loved dining with rich relatives, and was hypocritical before God and men without the slightest need, merely out of a sense of his own insignificance -write about how this young man squeezes the slave out of himself, drop by drop, and how, waking up one fine morning, he feels that the blood coursing through his veins is no longer that of a slave, but truly that of a human being."
Now, look at what Tarkovsky does in the very first scene of "Mirror."
Chekhov spoke of a morning when you wake up and feel real human blood in your veins. Tarkovsky decided to show that morning.
And he reproduces it with surgical precision.
On screen-a teenager being treated for stuttering through a hypnosis session. A bead of sweat on his forehead. A spasm in his throat. The agonizing effort to force out a sound. The hypnotist counts, pressures, breaks down the resistance. And then—a clean exhale, a pure word: "I can speak."
This is Chekhov's "fine morning," made manifest. Tarkovsky presents it as a rebirth. The slave in this boy is his muteness, his inability to be heard. And when he squeezes out that fear, drop by drop, when the air flows freely and the word emerges without effort- in that moment, the blood coursing through his veins is indeed no longer that of a slave, but truly that of a human being.
Do you understand, you petty souls, the meaning of the words "I can speak!" ?